Collection: Mason Storm
What can be said about Mason that he hasn't already said himself? Enfant terrible or loveable rogue, he’s been called many things over the years and most are unrepeatable. Often a divisive character with as many detractors as fans, Mason loves to tease and poke fun at critics and embrace (sometimes literally) and interact with his fans. But, there is one thing everyone can agree on, the beauty of his work.
As an artist, Mason flits from one medium to another, painting, sculpture, photography or anything else that may take his fancy in any given day. However, it is skill with a brush that has set him apart from his peers. A masterful touch and appreciation of materials and techniques sees him move seamlessly from baroque masterpieces to contemporary cartoon and everything in between.
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Monkey Parliament
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Monkey Parliament I (2020)
56 x 80 cm -
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Monkey Parliament II (2022)
56 x 80 cm -
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Monkey Parliament II (2022)
100 x 145 cm -
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Monkey Parliament (2022)
181 x 107 cm -
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Monkey Parliament III (2022)
67 x 49 cm -
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Monkey Parliament III (2022)
102.9 x 140.7 cm

Toxic Beach
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Toxic Beach (2021)
64 × 80 cm -
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Toxic Beach: Gold (2021)
64 × 80 cm -
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Toxic Beach: Friendly Fire (2021)
64 × 80 cm -
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Toxic Beach: Escaping Dreams (2021)
64 × 80 cm

Theft From Above
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Can Festival (2021)
62.5 x 80 cm -
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Flyer Liar (2021)
76.1 x 65 cm -
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UFO. No, you F.O. (2021)
75 x 65 cm -
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The Brothers Grim (2021)
80 x 56.3 cm

Forgotten Monkeys
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Forgotten Monkey 12 (2022)
42 x 59.4 cm -
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Forgotten Monkey 13 (2022)
29.7 x 42 cm -
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Forgotten Monkey 14 (2022)
29.7 x 42 cm

Simian Soirée
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Simian Soirée (2023)
65.5 x 51.5 cm -
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Simian Soirée (2023)
105 x 80.5 cm
“What’s the point of being a genius if you can’t share that with everyone, even the buggers who don’t like you? Life’s too short for nonsense. We are here for a good time not a long time”
Mason Storm
Past Exhibitions
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Mason Storm - Theft From Above
17 June - 23 July 2021
Theft From Above: a homage, a poking of the Hornets’ nest, an honest exploration of authorship and inspiration or outright daylight robbery? Given Mason’s past history with urban arts other man of mystery, the similarities and motifs in this new body of work are less than subtle. Indeed they are glaringly obvious and are bound to illicit howls of derision and cries of ‘rip off’ and opportunist.

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